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Marxism & hegemony: blog tasks

Task 1: Mail Online review of Capital 1) Re-read the  Mail Online review of  Capital . Why does it suggest that  Capital  features a left-wing ideology? Capital was as stuffed full with fashionable causes as Jeremy Corbyn’s function diary. 2) Choose  three  quotes from the review that are particularly critical of  Capital  and paste them into your blogpost. Do you agree with the criticisms? Why? 'With a fizzle like a firework on a wet night, Capital (BBC1) dribbled to a soggy ending.' 'the crime was handed from one cardboard character to the next. That’s not a whodunnit, it’s a cop-out.' 'Everything British came in for a dose of loathing' I think that some of the criticism is fair and that Capital did feel like it did not come to a satisfying conclusion as you might think it would from the stress and fears of the characters in the first episode and are wrapped up in a way that feels like it was done for the sake of just getting the series done and...
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Deutschland 83: case study

  Introduction: Reviews and features Read the following reviews and features on  Deutschland 83 : The Guardian - Your next box set: Deutschland 83 The Guardian - Deutschland 83 Pity the Germans don't like it 1) Find one positive aspect and one criticism of  Deutschland 83  in the reviews. created an irresistible export: a funky exercise in pop nostalgia underpinned by actual events.  It’s a perfect moment in a near-perfect series 2) Why does the second Guardian article suggest the Germans didn't like the show? By focusing the story around Martin Rauch, a young East German border guard going undercover in the west, it doesn’t just make the viewer empathise with a Stasi agent on a human level – in the way The Lives of Others did – it makes us engage with the socialist regime’s worldview, in which a military exercise in West Germany poses a potentially existential threat. 3) Find three 'below the line' comments from either of the Guardian articles. What did th...
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Film regulation and the BBFC

1) Research the   BBFC  in more detail: what is the institution responsible for? How is it funded? What link does it have to government? This   history of the BBFC page   may help. responsibility of classifying films since 1912, video tapes and discs since 1985, and more recently, online content.  BBFC is here to help everyone in the UK choose age-appropriate films, videos and websites, wherever and however they watch or use them.  regularly consult people right across the country to listen to what they think and feel about what’s appropriate for families and children of all ages. Statutory powers over film remain with the local councils, which can overrule any of the BBFC’s decisions on appeal, passing films they reject, banning films we’ve passed, and even waiving cuts, making new ones, or altering the age ratings for films shown in their area. But generally, from as early as the mid-1920s, local authorities have accepted their decisions. Funded through c...
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