Skip to main content

Preliminary exercise: Research and planning

1) State the song you have chosen for your preliminary exercise.

Wake me up when September ends - Green day

2) Choose at least three music videos similar to your concept and watch a clip or more from each. Make bullet-point notes on everything you watch, commenting on camerawork, editing and mise-en-scene



camerawork: 

  • fast paced cuts - matching beat of song
  • performance - microphone 
  • close ups on certain objects e.g drum kit
  • Actor focus - clear that friends

editing:

  • orange teal / grey dark / natural colour grading
  • match on action/sound 

mise-en-scene:

  • costumes - streetwear
  • lighting - natural + floodlights and low key lighting
  • Limited actors performing in video
  • Roads, Park, Public spaces


3) Write a short music video treatment for your extract (this is basically a script for your music video). You can find an example of a treatment here. If you are making your real coursework then feel free to use the treatment from your summer project.

Artist walks into frame stepping up on a curb with one foot revealing shoe brand sponsor, wide shot showing artist walking to the right across the pavement and an OTS showing a bridge. Cut to match on artist to the include Man 1 and then cut to park where Man 1 is chasing artist. Then performance aspect, artist with guitar Infront of microphone.

4) Write a shot list containing EVERY shot you plan to film AND additional shots to create flexibility when editing (in a music video you will find you need FAR more shots than you think, particularly close-ups). These additional shots can be close-ups, alternative angles or something more creative. I advise using a simple table on Microsoft Word/Google Docs to set out your shot list - you can find an example here (this is from narrative filmmaking but the same format can be used for any video project). 

closeup or medium closeup of pavement, pan up to face - close up or medium closeup, medium longshot fitting in whole body, OTS, side shot - medium longshot, handheld closeup, long shot + extreme longshot, low angle, closeup/medium closeup, medium shot


5) Plan your mise-en-scene: what iconography are you including to ensure your audience understands the genre and style of your artist? Plan your settings, costume, make-up, props and lighting. 

Streetwear clothing, high key and low key lighting, artist logo, parks/empty rooms/ public street/converse

6) Plan a shooting schedule that will ensure everything is filmed by the deadline. Include when, where, who is required, planned equipment and any other aspects you need to arrange. 

When - 3-5pm for past scenes 11am-2pm for present
Who - Matas (ClueS) + Cassius (Man1/Bestfirend)
Where - pavement with bridge nearby, park path + playground, 
Equipment - DLSR camera, outfits

Comments

Popular posts from this blog

Marxism & hegemony: blog tasks

Task 1: Mail Online review of Capital 1) Re-read the  Mail Online review of  Capital . Why does it suggest that  Capital  features a left-wing ideology? Capital was as stuffed full with fashionable causes as Jeremy Corbyn’s function diary. 2) Choose  three  quotes from the review that are particularly critical of  Capital  and paste them into your blogpost. Do you agree with the criticisms? Why? 'With a fizzle like a firework on a wet night, Capital (BBC1) dribbled to a soggy ending.' 'the crime was handed from one cardboard character to the next. That’s not a whodunnit, it’s a cop-out.' 'Everything British came in for a dose of loathing' I think that some of the criticism is fair and that Capital did feel like it did not come to a satisfying conclusion as you might think it would from the stress and fears of the characters in the first episode and are wrapped up in a way that feels like it was done for the sake of just getting the series done and...

Blinded By The Light: case study

Background and Production 1) What is the story behind the production of the film? is a rites of passage comedy drama directed by  Gurinder Chadha , who also directed  Bend It Like Beckham . Set in 1987, it revisits Manzoor's teenage years and much of it is directly based on real events. One unlikely consequence of this is that his teenage friendship with Amolak has now been immortalised – not something either of them could have imagined in their wildest dreams. 2) What was the audience reaction to the film? audiences found personal connections to the story. I could not have predicted that Israeli women in Jerusalem, white teenage American boys in Omaha, Nebraska and older white women in Australia who had seen the film would all contact me on social media and thank me for telling their story. I had not expected to be approached, at screenings from Glasgow to Seattle, by people who seemingly had nothing in common with the protagonist but said they had connected emotionally with ...

Deutschland 83: case study

  Introduction: Reviews and features Read the following reviews and features on  Deutschland 83 : The Guardian - Your next box set: Deutschland 83 The Guardian - Deutschland 83 Pity the Germans don't like it 1) Find one positive aspect and one criticism of  Deutschland 83  in the reviews. created an irresistible export: a funky exercise in pop nostalgia underpinned by actual events.  It’s a perfect moment in a near-perfect series 2) Why does the second Guardian article suggest the Germans didn't like the show? By focusing the story around Martin Rauch, a young East German border guard going undercover in the west, it doesn’t just make the viewer empathise with a Stasi agent on a human level – in the way The Lives of Others did – it makes us engage with the socialist regime’s worldview, in which a military exercise in West Germany poses a potentially existential threat. 3) Find three 'below the line' comments from either of the Guardian articles. What did th...